Benjamin Dwyer’s Twelve Études for Guitar can certainly serve as studies, at the most advanced level imaginable but the work has transcended the pedagogical and technical into the realm of the poetic. The Twelve Études for Guitar represent a distillation of time, thought, technical refinement, and musical imagination and invention of the highest order. While the work’s origins may lie in technical considerations, the result is entirely expressive; hauntingly evocative and exuberantly dramatic in turns, always emotionally powerful. (Composer, JOHN BUCKLEY)
Smaro Gregoriadou’s full and rich guitar sound is top class! (PIZZICATO, LUXEMBURG)
Villa-Lobos was a reluctant guitarist. After him, there have been a few encyclopedic attempts, the obvious names being ex-guitarists Leo Brouwer and Angelo Gilardino, and the less obvious Francisco Mignone. Benjamin Dwyer is in a completely different league. Not only because is he an excellent guitarist who is also a composer of exceptional symphonic thought and writing, but because he has created a cycle of études that sums up an entire guitar epoch. (FABIO ZANON, guitarist)
LABEL:
Catalog No: ARCD 030
Performer: Smaro Gregoriadou
Composer: Benjamin Dwyer
Instruments: Classical pedal guitars
PROGRAM
BOOK I: DEDICATED TO JOHN BUCKLEY
01 | 2’57 | Relentless |
02 | 3’21 | After Britten |
03 | 1’24 | Très animé |
BOOK II: DEDICATED TO MARION HYLAND
04 | 3’26 | Red |
05 | 4’18 | After Lorca |
06 | 3’51 | African Print |
BOOK III: DEDICATED TO TIMOTHY WALKER
07 | 4’02 | Punctus contra punctum |
08 | 4’16 | Penticus |
09 | 2’13 | Goblin |
BOOK IV: DEDICATED TO FABIO ZANON
10 | 3’43 | Why Not Mr. Buckley? |
11 | 4’00 | Allegro energico |
12 | 5’14 | Improvimemoriam Berio |
42’52 | Total Time |