REVIEWS, INTERVIEWS, PRESENTATIONS... HOW PEOPLE SEE!

REVIEWS & PRESS

Gregoriadou’s “reinventions” are leaving the standard classical guitar and modern tuning behind, at least for the time being. I have no doubt that she has a most musical mind . . . that is to say, it melds intellect with emotion and sensitivity. In her own way, Gregoriadou evokes musicians such as Vladimir Horowitz, Glenn Gould, and Wanda Landowska in her willingness —her need, really— to find a new way to express herself and to reanimate the music, without letting innovation become an end in itself. (Raymond Tuttle, FANFARE)

 

The sound has never been so solid, the phrasing so cantabile, the polyphony so vivid as here, and this is due both to the revolutionary innovations in instrument construction and to the crystal-clear and lively playing that integrates all the details into an organic whole. [She belongs to the] Greats of the New Era. (Christoph Schlüren, NEUE MUSIKZEITUNG)

 

Live Concerts

California concert tour November 2016

Australia tour – Critical Praise, press releases and interviews  

In April 2014, Greek guitar virtuoso Smaro Gregoriadou introduced her unique interpretation of the Baroque to Tasmania, Australia. A pioneer of Baroque revision, Gregoriadou presents her technical and sonic interventions in stringing, trebling and tuning, which she calls ‘reinventing guitar’.